K.M. Weiland

K.M. Weiland lives in make-believe worlds, talks to imaginary friends, and survives primarily on chocolate truffles and espresso. She is the IPPY and NIEA Award-winning and internationally published author of the Amazon bestsellers Outlining Your Novel and Structuring Your Novel, as well as Jane Eyre: The Writer’s Digest Annotated Classic, the western A Man Called Outlaw, the medieval epic Behold the Dawn, the portal fantasy Dreamlander, and the historical/dieselpunk adventure Storming. When she’s not making things up, she’s busy mentoring other authors on her award-winning blog. She makes her home in western Nebraska.

Quotes

нhas quoted2 years ago
Placing the renewed attack and the final rejection of the Lie and embrace of the Truth in your Climax allows you to harmonize your exterior and interior conflicts
нhas quoted2 years ago
However, harmonizing the two conflicts also has its downfalls. Because the Climax is such a busy section of your story, you won’t always have the time and space to logically complete your character’s arc at the same time as he’s battling the antagonist. A saber duel to the death isn’t usually conducive to involved existential decisions.
нhas quoted2 years ago
Depending on your story’s pacing, you may decide your best choice is to have your character face and defeat his Lie for this final time before he charges into the Climax. At this moment, your character will reject the last remnants of doubt about the Lie and step forward to claim the Truth. He is, at last, completely centered—and, as a result, completely empowered to face the antagonist. He is transformed.
The Climax begins as the character acts upon his new Truth, finally and fully. By this point, the character should be finished with all lengthy internal pondering.
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