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Trilby James

Contemporary Monologues for Women

Whether you’re applying for drama school, taking an exam, or auditioning for a professional role, it’s likely you’ll be required to perform one or more monologues, including a piece from a contemporary play. It’s vital to come up with something fresh that’s suited both to you — in order to allow you to express who you are as a performer — and to the specific purposes of the audition.
In this book, you’ll find forty fantastic speeches featuring female roles, all written and premiered since the year 2014, by some of the most exciting dramatic voices writing today.
Playwrights include Mike Bartlett, Andrew Bovell, Chris Bush, Jez Butterworth, Vivienne Franzmann, Ella Hickson, Lucy Kirkwood, Chinonyerem Odimba, Frances Poet and Stef Smith. The plays featured were premiered at leading venues including the National, the Royal Court, Soho and Hampstead in London, prestigious theatres in Cardiff, Chichester, Edinburgh and Sheffield, and by renowned companies including Clean Break, Frantic Assembly and HighTide.
Drawing on her experience as an actor, director and teacher at several leading drama schools, Trilby James introduces each speech with a user-friendly, bullet-point list of ten essential things you need to know about the character, and then five inspiring ideas to help you perform the monologue.
This book also features a step-by-step guide to the process of selecting and preparing your speech, and approaching the audition itself.
‘Easy-to-use… The guidance is perhaps the most thorough I have seen in a monologue book’Teaching Drama on Trilby James’s first volume of Contemporary Monologues
Please note that some of the speeches in this volume contain strong language and themes which some readers may find inappropriate.
174 printed pages
Copyright owner
Bookwire
Original publication
2020
Publication year
2020
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Impressions

  • Hezmho 3dshared an impressionlast year
    💞Loved Up

Quotes

  • judehas quoted7 months ago
    Do you; have you ever actually felt any – guilt? Because it’s come as a bit of a surprise that um, that – you, one, I don’t, can’t actually feel it. Like I can’t get my body to do it, on its own, it’s not something I can generate somehow, like, I – I find myself having to actually summon it, trying to encourage myself, to summon it and even then I can’t do it, really, I can’t feel it. I thought it might be shock at first and then – grief or but I think I might not feel it. I can’t. I don’t. All I can feel is total joy, total – peace. I look at you and I sometimes actually make myself think of him, I force him into my head and I don’t feel guilty. What does that mean? What kind of person does that make me? (Pause.) Hm? Sometimes I think it’s because – what we have is love, meant to be. (Laughs.) That we love each other, yes, Mack, that is what I sometimes think. Is that ridiculous? And sometimes I even think that that love is so important that it is bigger, or equal to – what he did. That they are just two feelings, one is love and the other is despair and both just have an action. And that those actions are different but that somehow they are equal – does that make me a monster? I sat at his funeral looking at his parents and Benny but all I could think of, all I could feel – was you.

    But then I look at you and I wonder if it’s actually there. I wonder if I added up the amount of minutes, hours, fucking days I have spent thinking about you, the amount of fucking longing I have done – if I added that up and weighed it against anything you have ever actually said… and – (Pause.)

    But then you do the smallest thing you make me a cup of tea when I don’t ask, or you touch my hand really lightly in a room full of people and I think no, Sophie, don’t laugh – don’t laugh because it’s real and it’s so much more real because it’s unsaid and unspoken and un – un – un – it’s so much more real because I can’t touch it, because we can’t say it and I can’t see it, it’s so much more real because I don’t know if it’s there.

    Pause. MACK doesn’t say anything.

    Please say something. (Pause.) Please. Please tell me if…

    She trails off unable to try any harder.
  • Александра Нестеренкоhas quoted8 months ago
    clue. And I feel… […] Sad. No, not sad. Worse than sad… I feel… […] Disappointed
  • Ivana Reynosohas quoted6 years ago
    Perve
    Stacey Gregg

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