This scholarly work explores the myths, accepted beliefs, assumptions, and cultural fantasies, that have shaped Jane Austen's posthumous reputation for over two centuries. Rather than simply debunking these myths, the authors investigate how they originated, how they have evolved, and the ways they enable different readerly transactions between Austen and her global audience.
The text covers thirty distinct myths ranging from Austen's supposed lack of interest in fame and the sexless nature of her novels to her social standing and her relationship with historical events like the Napoleonic Wars. By examining her letters, manuscripts, and early reception, the authors reveal a professional, ambitious, and stylistically rigorous artist who was far more complex than the modest and devout figure often presented by her family and early critics.
