YOU
You can still see the look in that pudgy, pathetic little hanger-on’s eyes when you dug the point of the knife into his chest.
“This is how you’re supposed to do it,” you’d told him, zigging and zagging your way down his abundant flesh. “Every moment, perfect control. No evidence. No chances.”
After you’d received word that Trina Simms was dead, you’d imagined how it should have gone down. You’d pictured every detail—how you would have done it. The pleasure you would have gotten from hearing her scream.
But this imitation, this pretender—he’d done it wrong.
He’d had to pay.
Sweat and tears had mingled on his face. He’d struggled, but you took your time. You were patient. You explained to him that you were acquainted with Trina Simms and that she deserved better.
Or worse, depending on your perspective.
You’d showed that pale imitation, that copy of a copy, what patience really was. The only shame was that you had to gag him—couldn’t risk Joe College next door coming over to see what the little pig was squealing about.
You smile in memory as you clean the tools of your trade. Redding didn’t tell you to kill the pretender. He didn’t have to. You’re a species apart, you and the boy you just dispatched to hell.
He was weak.
You’re strong.
He was painting by numbers and still couldn’t manage to stay in the lines.
You’re a developing artist. Improvisation. Innovation. A rush of power works its way through your body just thinking about it. You thought you wanted to be like Redding. To be Redding.
But now you’re starting to see—you could be so much more.
“Not yet,” you whisper. There’s one more person who has to go first. You hum a song and close your eyes.
What will be will be—even if you have to help it along