“Giotto” by Harry Quilter is an essay about the facts of Giotto's life. The information has been taken from Vasari's Lives of the Painters and compared with those given by all later writers on the same subject. The descriptions of Padua, Assisi, and Florence were written on the spot, and the vignettes of the two former towns are reduced from sketches made by the author on purpose for the present work. The fresco of the Unknown Madonna, formerly attributed to Giotto, and still ascribed to him by the monks of Assisi, is reproduced here, by chromo-lithography, from a watercolor drawing made by the author at Assisi in the spring of last year—its only use is to show readers the kind of coloring prevalent in Giotto's work.
