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Brian Dilg

30-Second Photography

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  • stephanie ramirezhas quoted4 years ago
    ELLIOTT ERWITT

    1928–

    French-American documentary and advertising photographer, famous for his impeccable sense of visual wit, and ability to capture the absurd in the everyday
  • stephanie ramirezhas quoted4 years ago
    room for viewers to assign unique meanings. Our brains seem to re-experience these realizations afresh even after many viewings: man with leaf blower… wall…
  • stephanie ramirezhas quoted4 years ago
    Emergence is based on the way we “read” pictures. Obvious connections are underplayed, leaving room for viewers to assign unique meanings
  • stephanie ramirezhas quoted4 years ago
    Images that reward close attention utilize subtlety to delay the viewer’s complete realization of the full story implied by the elements of a photograph
  • stephanie ramirezhas quoted4 years ago
    It might be argued that smart photos employ the most powerful tool of all—the unique imagination of each viewer
  • stephanie ramirezhas quoted4 years ago
    Deprived of an obvious punchline, each viewer will assign a unique explanation to the image
  • stephanie ramirezhas quoted4 years ago
    Rather than simply emphasizing visual impact or providing one obvious interpretation, photographs can provoke interesting questions, imply relationships or cause and effect, and delay both visual perception of key details and realization of a picture’s full meaning
  • stephanie ramirezhas quoted4 years ago
    In contrast to that is an approach based on subtlety, restraint, and rich content. Viewers are intelligent, and our brains enjoy decoding images
  • stephanie ramirezhas quoted4 years ago
    The result is visual exhaustion or quick disinterest, however impressive an image may be at first glance
  • stephanie ramirezhas quoted4 years ago
    to inflate attention-getting devices until every aspect of an image screams for attention, or to get consumed by making beautiful surfaces, while neglecting to provide substantive content
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