Nicolae Sfetcu

Solaris, Directed By Andrei Tarkovsky – Psychological and Philosophical Aspects

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About the main psychological and philosophical aspects detached from the film Solaris directed by Andrei Tarkovski, as well as the cinema techniques used by the director to convey his messages to the spectator. In the “Introduction” I briefly present the relevant elements of Tarkovski's biography and an overview of Stanislav Lem's Solaris novel and the film Solaris directed by Andrei Tarkovsky. In “Cinema Technique” I talk about the specific rhythm of the scenes, the radical movement triggered by Tarkovsky in modern cinema, the role of symbolic and iconic elements, and affinities with the fantastic area of Russian literature. In Psychological Aspects I analyze the issue of communication in a human society of the future considered by Tarkovsky as rigid, the obsession of the house, and the personal evolution of Kris, Hari, and the relationships between them. In Philosophical Aspects, the film is analyzed through the philosophy of the mind
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38 printed pages
Original publication
2019
Publication year
2019
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Quotes

  • Daniil Matevhas quoted5 years ago
    because he was interested in the problems of inner life
  • Daniil Matevhas quoted5 years ago
    shall allow myself to repeat that I only wanted to create a vision of a human encounter with something that certainly exists, in a mighty manner perhaps, but cannot be reduced to human conce
  • Daniil Matevhas quoted5 years ago
    fiction by Polish writer Stanisław Lem.

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