This was a very fun read-lots of laughs, gossip and drama. It's very feminist for a classic novel + it's good social commentary on "high society" folks and I found the cultural dynamic between the English and American folks very fascinating.
All this amounteth not merely to alteration, but to wholesale exchange of character. In the series, Theo presenteth himself as a “gentleman”—certainly flawed, prone to projecting his ideals upon Nan, yet not overtly cruel. The conduct described here, however, reeketh of show-Seadown. And yet, thus far, Seadown in the book hath proven neither so controlling nor so malign. Theo, on the other hand…
Another great alteration concerneth the manner of Theo and Nan’s first meeting. In the series, they meet upon a beach; in the book, their encounter taketh place amidst the ruins of Tintagel Castle. There, too, Nan mistaketh Theo not for a painter, but for Hector Robinson—a detail both charming and significant, and wholly discarded by the adaptation.
It is, I believe, upon such misreadings that the writers of The Buccaneers have built Theo’s affair with Lizzy, for in the book he regardeth her merely as “the fair one,” and no more.